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Archive for July 7th, 2008

Get Bubbly: Lil Wayne To Launch His Own Line of Champagne

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You’ve got love the excessiveness and inanity of hip-hop artists at their most materialistic: so Weezy’s getting his own line of bubbly. And I just love that ‘Halo’ has already had its own cameo in one of Lil Wayne’s videos. Will Weezy’s Halo be able to outsell Fitty’s Vitamin Water?

Lil Wayne will continue his journey from MC to mogul this autumn as the platinum-selling rapper readies his own line of champagne, dubbed “Halo.” The champagne had previously cameoed in Weezy’s “Lollipop” video. Four different variations of “Halo” will be bottled: Halo Brut, Halo Brut Vintage, Halo Rose and Halo Pinnacle, each with its own mix, taste, blend and texture. “Champagne is for celebrating,” Lil Wayne said. “I’m ready to put my foot in a new door. There are so many different business opportunities; I want to take advantage of it all.”

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July 7, 2008 at 8:40 pm

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Will Wikileaks Revolutionize Journalism?

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I’ve been keeping my eye on Wikileaks over the past few months, as a potential source of eyewitness footage and contextual documentation for news stories that we’ve covered on NowPublic.

Although the site maintains some similarities to Wikipedia, the community-edited, online encyclopedia, Wikileaks bills itself, first and foremost, as an “international transparency network” that exists to allow documents to be leaked anonymously and made available for public analysis. In principle, the site’s express purpose is to bring to light global injustices and to bring attention to oppressive regimes around the world.

The site offers secure, encrypted methods for documents to be posted to the site anonymously and untraceably and the Wikileaks organization itself is comprised of a group of editors, journalists, programmers, and advisors, who are effectively unknown to one another.

All of this makes for a unique online space wherein allegedly leaked documents or information can be freely shared, distributed, and subjected to the collective review and analysis of the site’s editorial team and Wikileaks’ online community. Nevertheless, many journalists are approaching the site with a requisite amount of skepticism, given its ‘open source’ mandate and necessary questions around the authenticity and reliability of information disclosed through its platform.

What’s your take on Wikileaks? Can and should its model of ‘collective wisdom’ be trusted as a reliable source of news and information? What place do such documents and disclosures have in our contemporary media landscape?

Encouraging & protecting whistleblowers

If you’re not familiar with Wikileaks, you should be because, since it debuted last year, the international transparency network behind the site has forced governments and news media to take notice, most recently with the posting of whistleblower documents that indicate “thousands of sterilizations, and possibly some abortions, took place in 23 Texas Catholic hospitals from 2000 to 2003,” as reported by the Catholic News Service in the wake of the leak.

Exposing oppressive regimes

Wikileaks describes itself as a site that’s “developing an uncensorable Wikipedia for untraceable mass document leaking and analysis. Our primary interest is in exposing oppressive regimes in Asia, the former Soviet bloc, Sub-Saharan Africa and the Middle East, but we also expect to be of assistance to people of all regions who wish to reveal unethical behavior in their governments and corporations. We aim for maximum political impact.”

Besides having been briefly banned by a judge in the U.S. (the site appears to be based in Sweden), the anonymous founders are international computer geeks who know how to hide in cyberspace and get around things like the Great Firewall of the government in China. In fact, Wired magazine notes that one of Wikileaks’ advisers, security expert Ben Laurie, “doesn’t even know who runs the site — other than (co-founder Julian) Assange (who lives in Kenya) — or where the servers are.”

Wikileaks as a news site

What makes Wikileaks a unique “news” site is that instead of “breaking stories,” it publishes leaked documents, now boasting “over 1.2 million documents … from dissident communities and anonymous sources.”

An early criticism of Wikileaks was its posting of anonymously leaked documents without running it through an editing process and without providing any context — something that many industry insiders (and military brass), including prominent open government advocates like Steve Aftergood, view as “irresponsible,” at best.

While Wikileaks Web masters seem immune from government and press criticism, they’re not unresponsive, having changed the site a bit since it first hit the net in January 2007. The home page now features analysis of recently leaked documents, as well as “fresh leaks requiring analysis.”

The site also notes: “Wikileaks is not like Wikipedia. Every submitted article and change is reviewed by our editorial team of professional journalists and anti-corruption analysts. Articles that are not of high standard are rejected and non-editorial articles are fully attributed.”

Authenticity and Document Analysis

“Wikileaks believes that the best way to determine if a document is authentic is to open it up for analysis to the broader community — and particularly the community of interest around the document.”

“So for example, let’s say a Wikileaks document reveals human rights abuses and it is purportedly from a regional Chinese government. Some of the best people to analyze the document’s veracity are the local dissident community, human rights groups and regional experts (such as academics). They may be particularly interested in this sort of document. But of course Wikileaks will be open for anyone to comment.”

“Journalists and governments are often duped by forged documents. It is hard for most reporters to outsmart the skill of intelligence agency frauds. Wikileaks, by bringing the collective wisdoms and experiences of thousands to politically important documents, will unmask frauds like never before.”

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Written by culturite

July 7, 2008 at 6:31 pm

Nadal Wins Wimbledon, Dethrones Federer

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Rafael Nadal beat out five-time champion Roger Federer on Sunday, to win the Wimbledon men’s tennis final, in an epic, incredible match that lasted 4 hours and 48 minutes, making it the longest singles final in the tournament’s 131 year history.

I’m not much of a sports fan, but this was some of the most astonishing game play I’ve ever witnessed and both athletes have to be commended for their unbelievable endurance, stamina, and skilled performance, during one of the most difficult matches of their respective careers.

Federer was as gracious in defeat as Nadal was in victory and both men paid respect to each other for their competitive play and resilience. It was an incredible match — one that was easily able to be appreciated and lauded regardless of the victor — and I’m simply amazed that they were still hitting 130 mph serves after playing for more than 4 1/2 hours straight. Now that’s some serious athleticism.

No man had beaten Roger Federer at Wimbledon since 2002. But in near darkness, one of the greatest tennis matches ever played concluded Sunday with Roger Federer hitting a short forehand into the net and with a victorious Rafael Nadal flat on his back with camera flashes illuminating his drained and delighted face.

Nadal had come the closest to beating Federer in last year’s final, pushing his friendly rival to five sets before ending up in tears in the locker room as Federer equaled Bjorn Borg’s modern men’s record with his fifth straight victory.

Last year’s emotional tussle immediately took its place among the best Wimbledon finals, but this five-set classic — played on a rainy, gusty day — was better yet.

At 4 hours 48 minutes, it was the longest singles final in Wimbledon’s 131-year history and did not finish until 9:16 p.m. local time.

“The most important thing is to win the title,” said Nadal, who won, 6-4, 6-4, 6-7 (5), 6-7 (8), 9-7. “After that, you think about winning against the No. 1, probably the best player in history or close, and the fact it was so dramatic. But it’s one of the most powerful feelings I’ve had in my life.”

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July 7, 2008 at 5:35 pm

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2008 Polaris Music Prize Short List Announced

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Is it just me, or are the 2008 Polaris Music Prize nominees not nearly as exciting as previous nominees and winners like Patrick Watson and Final Fantasy? Not to hate on other Canadian talent, but the only band that I’m really excited about from this list is Holy Fuck — their brand of mad, improvised, lo-fi, bit crunchy sonic madness is truly inspired. The rest of the short list acts seem like they could have been nominated any year in the past five or six years — surely there are other innovative, emerging Canadian bands worth promoting?

Indie rock from both emerging and established bands dominates the short list for the 2008 Polaris Music Prize, which organizers unveiled Monday morning in Toronto.

The indie rock wave is lead by Winnipeg veterans The Weakerthans, nominated for their latest album, Reunion Tour.

Other indie rock acts vying for the $20,000 prize include Montreal bands Plants and Animals (Parc Avenue) and Stars (In Our Bedroom After the War), Vancouver’s Black Mountain (In the Future) and Charlottetown’s Two Hours Traffic (Little Jabs).

Two experimental acts also made the cut: Toronto band Holy F—, for their album LP, and Dundas, Ont., artist Caribou, for his album Andorra.

Rounding out the list are hip-hop artist Shad (The Old Prince), Ottawa singer-songwriter Kathleen Edwards (Asking for Flowers) and London, Ont., singer-songwriter Basia Bulat (Oh, My Darling)

Polaris founder and former music executive Steve Jordan established the fledgling Canadian prize to recognize the best full-length Canadian album of the past year, judged on artistic merit and without regard to either genre or sales figures. The award is inspired by Britain’s esteemed Mercury Prize.

Past winners are Patrick Watson and Final Fantasy.

A cross-Canada panel of 185 music journalists, broadcasters and bloggers determines a long list of semi-finalists, released in June, as well as Monday’s 10-entry short list. A smaller panel then ultimately selects the winner.

The third annual Polaris Music Prize will be awarded at a ceremony in Toronto on Sept. 29.

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Written by culturite

July 7, 2008 at 4:25 pm

‘Superman/Batman’ Artist Michael Turner Dies at 37

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Renowned contemporary comic book artist, Michael Turner, has died at the age of 37, after fighting an eight-year battle with bone cancer.

Michael Turner first began work as an artist for Top Cow. There he did background art before eventually co-creating Witchblade. In ‘98 he came out with Fathom, a comic he wrote and illustrated. Soon after this he was diagnosed with cancer. He recovered and in ‘02, created his own publishing company, Aspen MLT. Under Aspen MLT he continued the Fathom comic(after a year-long lawsuit over the rights to the title), coming out with another volume and several miniseries. He is currently working on Soulfire and Shrugged, two other series he created, and has a fourth comic (Ekos) to be released after Soulfire is underway. Aside from his own projects, he also does cover work for both Marvel and DC.

Michael Turner very recently passed away, after his long battle with cancer, at the young age of 37.  He died on the Friday of the opening of the Wizard World Chicago Convention, 2008, and there was a minute of silence dedicated to him on the Saturday.

Michael Turner, a comic book artist who drew covers for major titles such as “Superman/Batman,” “The Flash” and “Civil War,” has died. He was 37.

Turner died June 27 at a Santa Monica hospital of complications related to cancer, said Vince Hernandez, editor in chief of Aspen MLT, the Santa Monica publishing company Turner founded in 2003. Turner had battled bone cancer for eight years.

Through his company, Turner created online comic adaptations for the NBC series “Heroes” and published his own titles, including the best-selling “Fathom,” a deep-sea story about a female superhero.

He also drew covers for large projects such as DC Comics’ “Justice League” and Marvel’s “Civil War” and was a regular cover artist for “Superman/Batman” and “The Flash.”

“He was definitely one of the most popular and influential comic-book artists working right now,” said Andrew Farago, curator of San Francisco’s Cartoon Art Museum. “He was very, very much in demand as a cover artist on high-profile projects.”

Ryan Liebowitz, general manager of the Golden Apple Comics store in Los Angeles, said Turner’s name was synonymous with special-edition covers that often became collectibles. The milestone 500th issue of “Uncanny X-Men,” due out next week, will feature a special-edition cover by Turner.

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July 7, 2008 at 3:51 pm

Nicole Kidman Gives Birth to Sunday on a Monday

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Nicole Kidman has given birth to a baby girl named Sunday. Perhaps the baby was a day late?

What day of the week would you name your baby? Vote here.

Nicole Kidman has delivered her first child, a baby girl, her agent, Wendy Day, said.

Sunday Rose Kidman Urban was born in the American country music capital of Nashville just before midnight on Monday Eastern Australian standard time, weighing 6 pounds 7.5 ounces (2.93 kilograms).

A publicist for Keith Urban says Nicole Kidman has given birth to a baby girl in Nashville.

In a statement e-mailed to The Associated Press, the publicist said: “Nicole and Keith Urban are delighted to announce that Nicole Kidman gave birth to a baby girl on Monday morning, July 7, 2008, in the United States. Sunday Rose Kidman Urban weighed 6 pounds, 7 1/2 ounces. Husband Keith was by Nicole’s side and mother and baby are very well.”

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Written by culturite

July 7, 2008 at 3:37 pm