Today I am posting a call for contributors that has just been sent out to everyone involved with AssignmentZero, as I think it offers the most current and concise summary of what we’ll be covering for AZ’s film and music pages. Have a read and get in touch if you’re interested in contributing.
In 1987, a pair of young producers/radio DJs, known as Coldcut, stormed the UK dance music scene with a pioneering, sample-based style that featured a barrage of reworked rhythms and sound collages, set to a live accompaniment of synchronized film and video clips.
Who could have anticipated that, twenty years later, this hybridized aesthetic would give rise to a cultural movement in remixed music, mashed-up film, and crowdsourced art?
From online remix/mashup music communities like SpliceMusic.com, to collaborative film productions like A Swarm of Angels, the art of making art has been radically transformed by the crowd. Songs are being written collaboratively by musicians located around the globe, and films are being funded using crowdsourced donations and created through public participation in every stage of production. Artists are increasingly embracing the ethos of open-source, and joining Coldcut with a call to: “Let the data be free!”
These are the new forces driving open-source culture: projects that cultivate “participatory experience” by allowing public access to art, artists, and creative processes; projects that enable creative collaboration between people regardless of location; and projects that can be downloaded, remixed, mashed-up, and shared.
What kinds of songs are being written collaboratively? What kinds of films are being crowdsourced? What are the benefits of creating art in this way?
AssignmentZero is interested in examining how the languages of sound and cinema are being transformed by crowdsourcing. If music and film are your passions and you can volunteer between 5-10 hours over the next three weeks, please join me in looking at the future of free music and art.
How to get involved:
* Choose your focus. Music? Film? Or both?
* Sign up to the right team. If it’s music, visit AZ’s crowdsourced music homepage and click on ‘join team,’ or write me back and put “music” in the subject line. If it’s film, go to the film homepage and chose ‘join team,’ or write me back and put “film” in the subject line.
If you’ve got some spare time today, check out the assignments on the topic homepages and get started. Or send an email to me, the editor, introducing yourself: email@example.com
Over the course of the next month, those who sign up will be working closely with me and our film and music teams. I am particularly passionate about these topics, as my background is in media and arts production, and I am a producer, editor, cultural critic, media host, and musician based in Montreal, Canada.
Together our group will work toward producing several pieces that will be submitted to Wired.com for publication on June 5.
If music and film are your passions and you can volunteer between 5-10 hours over the next three weeks, please join us to explore the future of the collaborative arts.